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Aaliyah one in a million album download

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4/11/ · One In A Million: Aaliyah: Free Download, Borrow, and Streaming: Internet Archive About Projects Donate Beta Webamp Volume 90% 1 Beats 4 Da Streets Sample Rate: kHz / 16 Bit Source: CD, Album Album Artist: Aaliyah Album Name: One In A Million Label, Catalog: Blackground / Atlantic / Warner - Genre: R&B, Hip 27/05/ · Aaliyah One In A Million: Free Download, Borrow, and Streaming: Internet Archive Upload Sign up | Log in About Blog Projects Help Donate Contact Jobs Volunteer Download on iTunes. One In A Million is one of the gorgeous album of Aaliyah. Album's primary genre is R&B/Soul, it was released on August 27, and contains 18 tracks of duration 1 20/08/ · Aaliyah - One In A Million Listen & Download 'One In A Million' album out now - blogger.com in 4K coming soon!Lyrics - [In ... read more

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One in a Million is the second studio album by American singer Aaliyah. It was released on August 13, , by Blackground Records and Atlantic Records. Recorded from August to July , the album features collaborations with a variety of producers and writers, including Timbaland , Missy Elliott , Carl-So-Lowe, J. Dibbs, Jermaine Dupri , Kay Gee, Vincent Herbert, Rodney Jerkins , Craig King, Darren Lighty and Darryl Simmons, as well as several guest appearances, including those from Elliott, Timbaland, Treach and Slick Rick. One in a Million garnered generally positive reviews from music critics. It debuted at number 20 on the US Billboard chart, selling 40, copies during its first week and later peaked at number 18; following its reissue, it reached a new peak at number Within several months, the album was certified double platinum by the Recording Industry Association of America RIAA. It has sold over three million copies in the United States and eight million worldwide.

One in a Million produced six singles—" If Your Girl Only Knew ", " Got to Give It Up ", " One in a Million ", " 4 Page Letter ", " The One I Gave My Heart To " and " Hot Like Fire "—with "The One I Gave My Heart To" becoming the album's highest-charting single, peaking at number nine on the US Billboard Hot Retrospectively, the album has been listed among the best albums of its era by numerous critics and has been credited for elevating careers of Timbaland and Elliott. After Aaliyah's uncle Barry Hankerson obtained a distribution deal with Jive Records , he signed her to his label Blackground Records when she was 12 years old. Kelly , who became her mentor, as well as the lead songwriter and producer for her debut studio album Age Ain't Nothing but a Number I got a lot of support from my fans and that inspired me to put that behind me, be a stronger person, and put my all into making One in a Million.

In a press release accompanying One in a Million , Aaliyah admitted to being "a little anxious about jumping from Jive to Atlantic and changing up her sound, but that uncertainty never filters into the music. Sensual is being in tune with your sensual self. Sexy, I mean that's in the eye of the beholder, such as beauty is in the eye of the beholder. So if people term it sexy, it's different. So I just think it's being sensual, I would rather term it as that. One in a Million was recorded from August until July , [16] with Craig Kallman , Barry Hankerson and Jomo Hankerson serving as executive producers.

While speaking with Billboard about the development of the album, Atlantic Records' product-development director Eddie Santiago mentioned: "We wanted Aaliyah to keep growing, so we didn't want to have the same suspects on her new project". In the same interview, Aaliyah discussed the direction of the album: "I wanted to maintain my smooth street musical image but wanted to be funky and hot yet sophisticated". According to Aaliyah, "I went to [Combs'] studio in Trinidad for a week, we started working together but we couldn't finish the songs on time. I had to leave, because I had to go to Atlanta to record with Jermaine Dupri. After plans to have Combs produce the album fell through, Herbert and King were the first producers asked to work on the album. King stated: "We came in right as she got her budget ready to go.

Vincent and I were the first people she called, we were the first group. That's why we had so much freedom to go in and create a sound because we didn't have to do a song here or there. They wanted us to go in and build a sound. We built a sound and it was a departure from R. King stated: "We did about eight songs and out of the eight, four made it", including a cover of " Got to Give It Up " by Marvin Gaye and "Never Givin' Up". Slick Rick [who had been in jail] was on work release at the time, so Vincent got him on the song", adding: "I don't know how Marvin Gaye fans will react, but I hope they like it, I always think it's a great compliment when people remake songs.

I hope one day after I'm not here that people will cover my songs". She sat on the floor and the first line, 'Sitting here in this empty room,' because the room was fairly empty because I had just moved into that house". In an interview, Lowe mentioned: "I believe Jomo, Barry Hankerson's son, reached out to So So Def and I think it happened from there. I knew she was coming to Atlanta, and we had nothing prepared at the time". Meanwhile, Aaliyah wanted to record songs that were "simplified" and "really good". Once Aaliyah signed with Atlantic, she and Kallman discussed that it was important to find innovative producers who were not widely known to produce the album, as the ultimate goal was to find Aaliyah her own new sound which would define her as an artist. And one day, this young kid came in.

His name was Tim Mosley. He started playing me beats and it was a really obvious meeting of, 'This doesn't sound like anything that's out there and really had its own super exciting and electric, just dynamic properties. His name's Timbaland, and he's new. He's out of the Devonte [Swing] camp. Prior to meeting Timbaland and Elliott Aaliyah's label received a demo from them, of a song called "Sugar and Spice". After hearing the song, she thought that record was the best thing that she had ever heard. Consequently, Timbaland and Elliott were flown to Detroit to work with her. Their sound was different and unique, and that's what appealed to me", adding: "Before we got together, I talked to them on the phone and told them what I wanted. I said, 'You guys know I have a street image, but there is a sexiness to it, and I want my songs to complement that'; I told them that before I even met them.

Once I said that, I didn't have to say anything else. Everything they brought me was the bomb. The song "The One I Gave My Heart To" came into fruition when Diane Warren expressed interest in working with Aaliyah; Warren said: "I remember really liking Aaliyah and wanting to work with her. Warren's goal in working with Aaliyah was to have her perform a certain song that she would not have normally performed to showcase a different side of her, which included displaying her vocal range in a different way than what she was used to doing. Due to unforeseen circumstances, he was unable to complete the work, so he enlisted producer Daryl Simmons to replace him instead.

According to Micha Frazer-Carroll from The Independent , One in a Million "had a bold, expansive vision, with tracks effortlessly bouncing from trip-hop to sensual slow jams to jungle beats". Throughout the intro, Elliott repeatedly calls Aaliyah's name and tells her to wake up, while various sounds such as echoing amid bells, blippy synths , and heavy bass are playing in the background. The fourth track "A Girl Like You" is a hip hop -inspired track with a "standard 90s boom-bap beat", where Aaliyah "holds her own" against featured rapper Treach from Naughty by Nature. The ninth track "Everything's Gonna Be Alright" has been described as a "carefree anthem for the summertime block party", [22] while the tenth track "Giving You More" was described as being a suggestive song with Aaliyah playing a "reassuring lover".

The fourteenth track "Never Comin' Back" features "Timbaland aping the sound of a live band vamping on a laid back groove, while Aaliyah does a call-and-response harmony routine with an imaginary concert audience over canned crowd noise". The cover artwork and overall packaging for One in a Million were photographed by Marc Baptiste, who had previously photographed Aaliyah's cover shoot for Seventeen. After the Seventeen cover shoot, Baptiste and Aaliyah crossed paths again through mutual friend Kidada Jones. Baptiste stated: "I ran into my friend Kidada Jones who is Quincy Jones ' daughter. They were really good friends back then. She introduced us at The Mercer Hotel.

We got along great and the next thing I know, 'I'm going to put my album out. Let's meet. The photo shoot for One in a Million lasted from 9 a. until 11 p. at various locations in New York City, with the album cover itself being photographed at the Canal Street station late into the session, between p. and 11 p. The fact that she grew up in Detroit and was born in Brooklyn, I wanted to give the album cover a street-chic vibe so that she's more approachable to an audience. I didn't want to bring her in a Bentley or anything like that. That wasn't her. She was a down to Earth person. I wanted to keep it street chic and play off her beauty". In an effort to generate visual awareness for One in a Million , Aaliyah's record label Blackground Records ran advertisements from June 24 to July 8, on cable channels such as BET and The Box. An international promotional tour was planned in support of the album, in which she would tour from late summer until the early fall of in the US and towards the end of September in the United Kingdom, Germany, South Africa and Japan.

In September, Aaliyah made an appearance at MTV 's sixth annual Rock N' Jock event, which aired on October On July 25, it was announced that Aaliyah was performing at KUBE 93 FM 's Summer Jam '97 concert at The Gorge Amphitheatre in Grant County, Washington. The tour started on August 28 in Buffalo, New York and ended on October 5 in Phoenix, Arizona. In August , it was reported that the album and Aaliyah's other recorded work for Blackground since rebranded as Blackground Records 2. One in a Million was reissued on August 20, , [76] [77] [78] despite Aaliyah's estate issuing a statement in response to Blackground 2. It peaked at number 11 on the US Billboard Hot , and has sold over , copies in the United States.

It was a moderate success in the United Kingdom, peaking at number 21 on the UK Singles Chart when it was originally released as a standalone single. In , it was re-released with " One in a Million " as a double A-side single and reached a new peak position of number It peaked at numbers 37 and 34 in New Zealand and the UK, respectively. Like its predecessor, the song was released as an airplay-only single in the US, therefore was able to enter only airplay charts. It debuted at number 24 on the Billboard Hot and went on to peak at number nine, becoming the highest-peaking single from One in a Million. One in a Million received generally favorable reviews from music critics. In her review for Vibe , Dream Hampton said that Aaliyah's "deliciously feline" voice had the same " pop appeal" as Janet Jackson 's and is complemented by the producers' funky, coherent tracks.

Sputnikmusic 's Nick Butler deemed it a "strange" record with an overemphasis on "unusually good" and "occasionally brilliant" ballads but plagued by upbeat tracks that were not on-par, except for "Hot Like Fire". While R. Kelly produced Aaliyah's debut with a one-dimensional musical vision, One in a Million ' s production posse which includes Jermaine Dupri and Timbaland dips into a languid and seductive trip hop on the title track; then stutters jungle rhythm on 'Beats 4 da Streets' and 'Heartbroken. One in a Million debuted at number 20 on the US Billboard chart dated September 14, , selling 40, copies during its first week. In Japan, the album peaked at number 36 on the Oricon Albums Chart and received a gold certification from the Recording Industry Association of Japan RIAJ.

One in a Million was ranked at number 90 on Rolling Stone ' s " Best Albums of the '90s". Credits are adapted from the liner notes of One in a Million. From Wikipedia, the free encyclopedia. Vanguard Detroit Pyramid Ithaca Battery House of Sound Manhattan Center Mystic Soundtrax The Hit Factory New York City Full Spectrum Chicago Krosswire LaCoCo Atlanta Larrabee Los Angeles. To produce One in a Million , Aaliyah collaborated with Timbaland and Missy Elliott. Problems playing this file?

One In A Million MP3 Album Free Download,Aaliyah - Age Ain't Nothing but a Number (1994, 2021 Reissue)

Format: FLAC (tracks +.cue) Quality: lossless Sample Rate: kHz / 16 Bit Source: CD, Album Artist: Aaliyah Title: One In A Million Label, Catalog: Blackground / Atlantic / Warner - 27/05/ · Aaliyah One In A Million: Free Download, Borrow, and Streaming: Internet Archive Upload Sign up | Log in About Blog Projects Help Donate Contact Jobs Volunteer Aaliyah - One In A Million Mp3 Album Download Buy Mp3 Music Online / Aaliyah / One In A Million Aaliyah — One In A Million The Hits & Unreleased Ultimate CD1 Aaliyah - One In A Million (Reissued ) Mp3 Album Download Buy Mp3 Music Online / Aaliyah / One In A Million (Reissued ) Aaliyah — One In A Million (Reissued ) In an effort to generate visual awareness for One in a Million, Aaliyah's record label Blackground Records ran advertisements from June 24 to July 8, on cable channels such as BET and 20/08/ · Aaliyah - One In A Million Listen & Download 'One In A Million' album out now - blogger.com in 4K coming soon!Lyrics - [In ... read more

Retrieved April 17, — via World Radio History. EMBED for wordpress. June 29, One in a Million Weekly charts [ edit ] Chart — Peak position Australian Albums ARIA [] Entertainment Weekly.

The cover artwork aaliyah one in a million album download overall packaging for One in a Million were photographed by Marc Baptiste, who had previously photographed Aaliyah's cover shoot for Seventeen. Books Video icon An illustration of two cells of a film strip. An international promotional tour was planned in support of the album, in which she would tour from late summer until the early fall of in the US and towards the end of September in the United Kingdom, Germany, South Africa and Japan. That wasn't her. Daily News.

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